Nigeria’s Movie Industry (Nollywood), Quality or Quantity?
17 Aug
“I think it is difficult to answer that question. You have to remember that the actors don’t get paid too much per movie – the audience is not as large as Hollywoods, even if the movies are now colonising other African countries’ markets – so they have to make many movies a year to make reasonable money. And as for quality, the audience seem to enjoy what they watch, so I don’t blame the industry if it has refused to improve on the quality of the movies. Also, think about what it costs to finance a good movie, with a good storyline, good props, costumes, lower frequency of output etc, not just in financial terms but also in the amount of risk involved. Many producers find it easier to go for time tested and trusted strategies: make the same movie as the last producer who made a successful movie did and you are sure to succeed. Challenging stories are not so trusted because of the unpredictability of the reception by the market.
And when one thinks of originality and creativity, one would have to ask how much of the movies produced by the two larger industries – Hollywood and Bollywood – are original and creative. Till today, Bollywood still has the oddly-placed music sessions in the movies, and it churns out movies that are as cheesy as the Dharmendra movies I watched growing up in Nigeria in the 80s. Or think about type-casting. Who has ever seen the expression on Hugh Grant’s face change? At least the other bad actors – Nicholas Cage and John Travolta, for instance – have a certain level of diversity in the roles they play, but does Grant? But producers keep featuring him because people like him. I think we should think in the same terms about Nigerian movies. It is easy to see the shortcomings of Nollywood – oh how I gnash my teeth each time I hear that name – but one finds a lot more similarity than one is ready to accept between it and the two larger movie industries if one looks closer. I think that the industry will self-regulate, but of course, with the help of the audience.
I think I should add this, although I laud the industry, I cannot bear the pains of sitting through a Nigerian home video.”

