Tag Archives: Hip Hop

CFP: Special Issue of African Identities on Contemporary Youth Cultures in Africa

16 Aug

Call for papers for a special issue of African Identities to be published in the summer of 2012 (African Identities: Journal of Economics, Culture and Society)

More than a decade and half ago, Donal Cruise-O’Brien (1996) had declared that the African youth were ‘a lost generation.’ This fatalistic summation of the fate of the African youth was perhaps for good reason. The enormous socio-economic and cultural forces surrounding the lives of young people in Africa were [and still are] simply daunting. And at the very core of this seemingly insurmountable socio-economic atmosphere are the pervasive unjust protocols of postcolonial regimes under which most African youth live. Indeed, more recent scholarship suggests that there is no respite yet for the African youth as the hopeless situation has escalated (See Abbink, Jon and Ineke Van Kessel 2005 & Alcinda Honwana and Filip De Boeck 2005). On account of the inclement socio-economic and political circumstances surrounding young people in Africa, what we are now witnessing across the entire continent is what Mamodou Douf (2003) describes as the ‘dramatic irruption of young people in both the domestic and public spheres,’ putting young people at the very heart of the continent’s socio-economic and political imagination (Durham 2006). But the challenges facing African youth are not peculiar to them.

All over the world, the new sociology of youth points to a growing concern about the ramifications of globalization, late modernity and general global social and economic restructuring for the lives and futures of young people. But amidst the lingering fears of the future of the young, scholars have also called for a deep reflection and rethinking of young people’s own resilience and agency in the midst of these turbulent times. This special issue of African Identities, tentatively entitled Late Modernity and Agency: Youth Cultures in Africa, seeks to reflect on the varied contours of youth responses to social change in Sub-Saharan Africa. While young people in Africa continue to face extraordinary social challenges in their everyday lives, what are the unique ways in which they have reinvented their circumstances to keep afloat in the midst of seismic global social changes? Papers are solicited on a wide range of topics on the African youth that may unravel young people not only as victims but also as active social actors in the face of a shifting global modernity. The themes may include amongst others,

- African Youth and Globalization
- Late Modernity and Social Change
- Youth and Media-Film, Television, Video, Internet, etc
- Hip-hop, Club Cultures and other forms of Popular culture
- Mobility and Social Media
- Gender and New Economies of Youth
- Democracy, Power and Youth Activism
- Youth and Conflict in Africa
- New Subjectivities and Agency
- Neo-Pentecostalism as Subculture
- The Informal Economy and Invented Pathways
- Lifestyles and Identity Constructions
- New Spatial Politics in Public and Domestic Spaces

Abstracts of not more than 500 words (including name, position, institutional affiliation, and email contact) may be sent to P.UGor@bham.ac.uk no later than September 30th, 2011. This special issue of African Identities will be published in the summer of 2012.

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In the Spirit of Open-Access Anthropology

29 Apr


CALL FOR PAPERS

Afro-Beat Journal (afro-beatjournal.org) is an new online journal, based out of NYU, devoted to the study of Global African artistic and cultural forms. It is an interactive, multimedia journal that will feature works on and the work of musicians, visual artists, painters, poets, and writers.

We invite scholars and practitioners to submit papers for the first issue of Afro-Beat Journal on the theme, “What is Afro-Beat?”… Although we take inspiration from the creative genius of Fela Anikulapo Kuti, our initial query is to open the dialogue between the various musical genres and their performative aspects. We welcome contributions that focus on the mediationĀ of these musics from Afro-pop worldwide to Hip Hop, as disseminated through various media such as radio, TV, cable or other forms of performance including live concerts, festivals, and theatre. We also welcome contributions from musicians, visual artists, writers, and poets that will enhance and expand our initial thematic focus, as well as relevant media content files on their works or in the form of interviews or discussion forums.

All submissions must follow MLA guidelines and are due June 15th, 2009.
Please send all submissions and inquiries to the editors at:
editors@afro-beatjournal.org

Publishers may send books for review to Book Review Editor at:
reviews@afro-beatjournal.org

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